As I toil away writing a book on the history of Russian conservatism, I find it reassuring when I come across evidence that it is of more than just academic interest.
Following Alexander Zakharchenko’s remark about aliens (see my last post), Lenta.ru published a collection of the DPR leader’s bons mots, which you can read here. Among them was something Zakharchenko said in October 2015:
The Russian world is a colourful, lively, genuine spring. It is not a nationality, it is a community of nations. Kazakhs and absolutely anybody can join it. And what is Europe, Western civilization? It is globalization. People are placed on the same footing as featureless beings, which know neither family nor tribe – all are identical, that is they are a common, grey mass. A mass of consumers. And there is a war between the living, genuine and colourful, and the grey and dead.
Superficially, this seems like a fairly typical anti-Western, anti-globalization rant. But if you look more closely, you see some markers which identify a very specific philosophical influence – late nineteenth century writer Konstantin Leontiev. While Zakharchenko could have picked up the ideas in his statement from any number of intermediate sources, they are distinct enough that their origin, it seems to me, is fairly clear.
Leontiev looked at the world in aesthetic terms. Diversity and colour were good. Bland uniformity was bad. Civilizations, he wrote, began simple, peaked during a period of ‘blossoming complexity’, and then decayed again into simplicity. According to Leontiev, the West was entering into a period of secondary simplicity. Capitalism and the 19th century version of globalization were turning the West into a grey mass of bourgeois uniformity, blurring all distinctions between nations and classes. Russia needed to avoid the same fate. Zakharchenko’s use of words and phrases like ‘colourful’, ‘the same footing as featureless beings’, ‘common grey mass’ and ‘mass of consumers’, and his final phrase about the ‘war between the living, genuine, and colourful, and the grey and dead’, are pure Leontiev.